Tuesday, 23 April 2013

Business card Building



Business card research  mood board for focused on finding out what other people put on their cards. I feel that Andy Fossey's Business card holds my interest though I feel i would have preferred the character to look confused and be looking toward the writing.

So  after my last blog post I decided to focus on doing some exposition stuff, A few days ago I was trying to think on ideas for Business cards which id feel hold some meaning behind them.

My  things id associate toward myself which could influence what I draw was,   Animation, Manga, Story boards , Personality, Body language , Emotion, Resonance(Music inspiration).  Some thoughts that went through my head.

  • I am an Animator, This is my Puppet that obeys my will.
  • Animation & Illusion of life to create a Living breathing character who has a will of their own.
  • Would having a character coming out of a storyboard be interesting ?
  • Is it weird to want to draw and have a girl character on my business card ? (This was the fun part making me not to keen on drawing).
  • How about a hand holding a  soul ?.... What would a soul look like ? Perhaps.... Foggy ? Misty ? Smoky ?

 



Above is a stage in my sketch book when  I began experiment with the storyboard, Animator and puppet ideas, Along with drawing a hand to hold a soul, For drawing the hand I also reference photos of my own hand however I didn't like the poses or angle.



I decided to try doing some charcoal drawings while  watching Ryan Wood ward's Animation "Thought of you". 






One of the specific things that I'm inspired by this animation is the drawings and demonstration of fast motion as the hands stretch and extend. Below are my Charcoal drawings in which I wanted to create the same affect.

The Second attempt was my favourite, and was also by accident like allot of my favourite drawings.....  The parts I like about the drawing is that its abstract enough for people to draw their own meaning from what they see.  After this I continued doing more drawing until I ran out of hairspray. Attempts 3 and 4 were and attempt to reproduce the same affect however with more motive however they turned out far from what I hoped.  Attempt 4 however, set in motion my drive to  have  a character holding something like a soul.

In order to gain a better understanding of using charcoal I also watch some videos one was particularly helpful because she talked about the different result the charcoal types produce Allowing me to predict how the charcoal would react. 


The Links:




So as this progressed the my Idea began to finalize more. I want a character holding another character in their hand. I want both character to look like they are made from mist/smoke. Illuminated by light. I want the character whose holding the other to fade into the rest of the drawing.  I also want to make the drawings feel mangaesk/ Tattoo like not full body or limbs but line to hind toward the character structure.


 
 Above is the Stages I went through to create this idea. As I began drawing the character that was being held I wanted to create story within this image, and attempted to draw both character with some intimacy toward each other. However as I continued with the drawing I began making mistakes which began to take the image away from what I wanted. The main problem being drawing smoke.


I then took the images, drawing and began to experiment with them. To see if I could achieve the affect by combining the drawings. I took them into a vector based package and created traces of the drawings(Instant trace). This has a similar affect as some of the filters in Photoshop however because it becomes a vector illustration these can be zoomed in and scaled with no lose in quality. Below are the results of this experiment.



Sadly they did not achieve what I was looking for, However the first image here I still hold attachment to, the effect created from the vector trace I find appealing as it creates a good blend of colours. At this point I decided take a break from this project,



Later that day I decided to take another attempt at drawing digitally, This progressed into my finally concept for my Business cards. Although I extremely frustrated as I could not  shade or paint the way I wanted to, Or frankly I had no idea what I was doing. I knew i wanted to create smoke so I looked for tutorial.


This Tutorial being the means of progressing forward.


I began experimenting with my brushes and tools and finally got into the flow of how to use my airbrush.  On the other hand  the tutorial only gave me the concept of how to draw the smoke it was by accident that I actually  got into the flow if creating my own version. I began using the Airbrush under a Push and Pull concept that Life drawing taught us with charcoal and pastels. Below Are the different stages of my this digital drawing.



Stages  1 to 3 was  focused on stacking the images over each other, as the stage 3,s lower body held a better placement of the legs and I wanted to carry that into the next attempt. Stage 4 was focused on creating the Lines/Highlights which formed the structure. Here are two reference images or example images of the concept that was in my head.

 

(Images are the logo from the manga Dogs: Bullets and carnage by Miwa Shirow)

Stages 5 to 7 focused on creating the light source and smoke effect on the girl and her companion i then began focusing on creating highlight to suggest hair.


Finally came building and formatting the images into business cards below are the variations i created with the images i liked from this project.

However, There appears to be a problem with the colouring from my photo shop and vector package in this document. Below is a better example of the colour s however the this image can't be scaled.




So hopefully within the next week I will have samples of these cards from Moo Business cards. As I did attempt to print out the fog girl with my printer and special paper as reference however, as expect from a non professional printer the colour blending was a problem so I am using these samples to test how the images turns out when outsource. I also attempt to make sure my colour values were as pure as I wanted them to be (For example White being R255 G255 B255) Though Moo Uses CMYK. Which could result in colour being duller if I left my drawings as RGB.


 
 

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